8K/6K/4K/2K Film Scanning + Wet Gate Scanning

GPC offers professional 14-Bit film scanning of 35mm/16mm film in 8K/6K/4K/2K to DPX, ProRes HD/2K/4K etc. We can also author content to multiple formats to simplify your editorial workflow. 

On request GPC can use professional restoration tools such as wet-gate systems to any project, removing dirt, scratches, and damage.

GPC does not settle for anything less than the highest image quality possible. We can meet the demands of any project by determining early on the right system for your particular job.

'BIG IRON'

  iMAGICA Imager XE Advanced 4K + iMAGICA Archival WET GATES   A Pin Registered CCD line array system from iMAGICA Corp. of Japan. From iMAGICA: "The IMAGER XE ADVANCED is capable of scanning full-frame 4-Perforation 35mm at 4096x3112 pixels and 8-Perforation 35mm (VistaVision) at 6144x4096 pixels. This can be down-sampled to 3K and 2K while still retaining the quaility of 4K."  iMAGICA Wet Gates are available for 14-Bit Scanning of Shrunken and Archival Materials.

iMAGICA Imager XE Advanced 4K + iMAGICA Archival WET GATES

A Pin Registered CCD line array system from iMAGICA Corp. of Japan. From iMAGICA: "The IMAGER XE ADVANCED is capable of scanning full-frame 4-Perforation 35mm at 4096x3112 pixels and 8-Perforation 35mm (VistaVision) at 6144x4096 pixels. This can be down-sampled to 3K and 2K while still retaining the quaility of 4K."

iMAGICA Wet Gates are available for 14-Bit Scanning of Shrunken and Archival Materials.

  ARRISCAN + Archival Gate   The industry standard. Battle Tested and Globally Respected in D.I. & Archival. From ARRI: "The ARRISCAN leverages the full possibilities of analog film with unparalleled dynamic range and resolution. The beauty of the ARRISCAN is that it delivers a complete digital replica of the negative film."  Fully customizable for Cinema or Archive situations.

ARRISCAN + Archival Gate

The industry standard. Battle Tested and Globally Respected in D.I. & Archival.
From ARRI: "The ARRISCAN leverages the full possibilities of analog film with unparalleled dynamic range and resolution. The beauty of the ARRISCAN is that it delivers a complete digital replica of the negative film."

Fully customizable for Cinema or Archive situations.

  Spirit 4K DATACINE   Old Faithful. The industry standard for HD+ dailies and HD Telecine. 4K Line Array for real-time transfers. From DFT: "The Spirit 4K® from DFT Digital Film Technology is a high-performance, high-speed Film Scanner and DataCine® solution for Digital Intermediate, Commercial, Telecine, Restoration, and Archiving applications."

Spirit 4K DATACINE

Old Faithful. The industry standard for HD+ dailies and HD Telecine. 4K Line Array for real-time transfers.
From DFT: "The Spirit 4K® from DFT Digital Film Technology is a high-performance, high-speed Film Scanner and DataCine® solution for Digital Intermediate, Commercial, Telecine, Restoration, and Archiving applications."

  FILMLIGHT Northlight NL1 + Shrunken Sprockets & Archival Gate   Trusted around the globe for decades.  From FILMLIGHT: "The Northlight matches—and surpasses—the requirements of the feature film industry as it embraces 4K workflow and digital cinema projection. Featuring a Trilinear 6K Color CCD.

FILMLIGHT Northlight NL1 + Shrunken Sprockets & Archival Gate

Trusted around the globe for decades.

From FILMLIGHT: "The Northlight matches—and surpasses—the requirements of the feature film industry as it embraces 4K workflow and digital cinema projection. Featuring a Trilinear 6K Color CCD.